Wednesday, 19 August 2009

Obligatory Viewing

I've just watched a documentary called "Home", made by Frenchman Yann Arthus-Bertrand. This should be obligatory viewing for everyone, especially in schools.

Get it, watch it, think about it, talk about it. You may or may not agree with the whole "global warming" thing, but this documentary doesn't lecture. Through stunningly beautiful imagery and a sensibly restrained commentary (read by Glenn Close) it inspires the viewer to act.

Whether it's refusing to buy produce that's imported when there's a locally-produced option, or thinking twice before turning on the lawn-sprinkler, we can all do something to help. And if you work anywhere near the top of any giant corporation, in any field, you can definitely do something: tell your employer that the planet is more important to you than your job!

Monday, 17 August 2009

Unprofessional Behaviour

I abhor "unprofessionalism" in any field, but it particularly irks me when I encounter it in my own realm.

I was recently contacted by an Italian computer game company. The approach was evidently generated by my website, which (I hope) makes clear my own level of professionalism. The company announced that they were making a car rally simulation game, for which they needed a large number of images of the 9 "special stages" of the 2009 Vodafone Rally de Portugal which had recently taken place here in the Algarve. The attached documents went into great detail about the number and nature of the images required. It was also indicated that the assigment had to be completed by the end of August, about 6 weeks from the date of the approach. The heading on this "request for quotation" specified "Professional Photographer Required".

Naturally I took the request very seriously. I drove to one of the special stages to assess the technical and logistical difficulties. Back at the office I constructed various lists and spreadsheets to break the work down into logical units, estimate as accurately as possible the time and resources required and so on. I then wrote an extensive, detailed proposal and quoted my price for execution. In all I burned two working days on the reconnaissance and writing the proposal.

Some highlights of the job: 180 kilometres of dirt tracks over varying terrain to be documented extensively, including every surface change, every significant "object" along the route (bushes, tress, rock formations, buildings, etc) and many hundreds of 360º degree panoramas. In all, I estimated around 36,00o images and a full month of work for myself and two assistants. And all this in the 40ºC heat of that area and with fine talc-like dust waiting to kill my camera equipment. Without doubt a brutal task with a very short deadline and at very short notice.

Naturally I quoted a "substantial" figure for the work: any working professional photographer being asked at short notice to block out a month of the calendar and execute this gargantuan task should and would have done the same.

Some days after sending my proposal and having received no response, I telephoned the company in Italy. I was told that the job had been awarded to a "photographer" would had quoted €1,800 (about US$2500) - well less than one tenth of my quote. Doing my best to keep my anger at bay, I pointed out to them that no professional would ever agree to that much work for such a ludicrously low sum, that by definition it indicated that the "photographer" was an out-of-work wannabe with a Canon Digital Rebel and that if that's what they wanted then they should not have asked any serious professionals to quote. Oh no, I was told: he's said he can do the job in one week!

Furious, I ended the conversation and composed an email to them. In it I pointed out that if either they or the so-called "photographer" had actually thought about it, one week was a physical impossibility since it would take take five days (allowing for suitable light conditions) just to drive at 10km/h from one end of the course to the other once, without even stopping to take any pictures!

Well, it wasn't surprising that I received no response to that email. So here's an open statement:

To the owners, directors and employees of Milestone S.r.l. of Milan, Italy...



If you need the services of any professional in any field, it is a simple courtesy to properly research that field, to respect the time and resources of working professionals and to treat those professionals in the way you would like to be treated yourselves.



In my case (and therefore, I suspect, in many other cases) you acted unprofessionally, wasted the time of a busy professional and did not even have the decency to issue a simple apology subsequently.

Wednesday, 12 August 2009

MacBook and MyBook

What a perfect combination - my MacBook Pro 15" and Western Digital MyBook external USB drives. I love 'em both! I now have four 500GB/1TB MyBook drives lined up at the back edge of my desk, holding all my most recent photographic work. They're neat, reliable (so far) and extremely good value for money. The most recent one (a 1TB "Essential") was bought for just €99 including 20% tax! Amazing! Staggering!

Make mine a Mac!

About 300 years ago (in computer terms) I built a spiffy, all-balls PC workstation for my photographic work and blogged about it here.

About one year ago I bought an HTC Touch (Windows Mobile) phone and hated it instantly. So I took it back to Fnac and got my money back. Instead I purchased an Apple iPhone and instantly succumbed to Apple's cunningly-laid trap, becoming a full-on Apple addict from one day to the next. Yep, I went out and bought a Mac!

I've spent years of my life struggling with PCs, and especially with Micro$oft Windows. How refreshing it was to take my lovely new MacBook Pro out of the box and fire it up. I was "in business" within minutes. No fuss, no problems, no hiccups, no hidden obstacles.

Of course, there's no pain-in-the-ass like a converted pain-in-the-ass! Now I evangelise Apple's products and philosophy to anyone who'll listen.

Welcome back!

Well... it's been more than a year since my last confession post! How time flies when you're not having fun!

The last year has been painful for many people, myself included. My world was shaken up (badly) by this "self-inflicted wound" that they have conveniently termed a "recession" (as if it was entirely natural, like a receding hairline - but I'll try to stay off the subject of politics here).

I've resolved to start posting again on a regular basis, if only for the cathartic value of being able to address an imagined audience with my woes and worries.

Tuesday, 29 January 2008

DxO Optics Pro v5

Several months after its launch, DxO Optics Pro v5 continues to be a right royal pain in the ass! This is beta software inflicted on the public, a trick normally practiced by Microsoft. Which is a pity because a) the previous version of DxO is a fabulous tool and b) I really want to be able to use some of the new feature in v5.

The software is criminally unstable: I can't process a batch of RAW images (usually 500-600 from a real estate shoot) without it crashing multiple times. For the sake of my sanity, I'm now in the habit of saving the project after every minor adjustment to an image, which just makes the whole process even slower. And once it has crashed once, it seems to need a reboot to come back to a state of tolerable stability.

What bugs me the most here is that DxO appears to have burned up resources on making the new version pretty: it slavishly imitates the now de rigueur LightRoom interface. And in the process the workflow model took a giant step backwards. If, instead, they had kept or (just updated) the previous UI and concentrated instead on the clever stuff behind the scenes...

Ah, well! They've promised a new release in February, so I'll just have to be patient while I soldier on with the previous version.

Love you, Nikon! But...

I'm going to be ordering my Nikon D3 any day now. Great machine, great features, crippling price, etc. But there's one feature that really perplexes me:

They've built an electronic spirit level into the body. Great idea for levelling the camera without squinting at the bubbles in the cheapo plastic spirit level I use. But how come you only get left/right levelling? There's no front/back levelling! So the landscape photogs will be happy, but what about us poor architectural types? The left/right levelling is irrelevant without front/back feedback. So I've got to mount the pesky little plastic bubble on the hot-shoe, which means I needn't bother with the fancy built-in left/right leveller.

Silly Mr Nikon - an epic piece of professional camera engineering with just one (as far as I can see) half-baked, not-properly-thought-through gimmick feature.